Peter Blecha

Peter Charles Blecha is an American historian, curator, essayist, author, musician, and director of the Seattle-based Northwest Music Archives. He is primarily known for research related to aspects of Pacific Northwest musical history. In addition to his books, essays, and album liner notes, Blecha has also served in multiple consulting and curatorial positions.

Early life

Blecha was raised in the Beacon Hill area of Seattle. His family moved to Olympia in 1962, and at an early age he took piano and drum lessons, before graduating from Winlock Miller High School. He returned to Seattle in 1974 to enroll at the University of Washington studying art, art history, English, and anthropology.

Career

In the early 1970s, Blecha was active in the Olympia rock scene as a member of GodMother, Warbucks, and Valhalla, and later in Seattle with the Debbies, the Musical Chairs, conCordia disCors, and the Chains of Hell Orchestra.

In 1983, he formed the Northwest Music Archives to document record labels from the Pacific Northwest and began 17 years of writing the "Northwest Music Archives" column in Seattle's music magazine '' The Rocket''.

The following year his exhibit, "The History of Northwest Recording", was mounted at the Seattle Public Library's main branch utilizing his own collection and items from recording engineer Kearney Barton. In 1987, he wrote and co-produced (with Mike Webb) a 10-hour special, "The History of Northwest Rock", for KVI radio, and in 1988 returned to the University of Washington to study museology. In 1990, Blecha began hosting the area's first all-Northwest oldies radio specialty show – "Tall Cool Ones" – on KCMU, and also served on the Northwest Area Music Association's Hall of Fame Committee.

In 1992, Blecha was hired as an archival consultant by Microsoft founder Paul Allen for a specific project: the Jimi Hendrix Museum, and served on the project's Planning and Design, Exhibit Development, and Concept Development teams. Over the following several years, the project's mission was expanded to include the Northwest's regional music history. Leading the curatorial department’s artifact acquisition effort, Blecha secured thousands of historic items while also conducting interviews with scores of rock stars and other music industry figures, earning a reputation as the "Indiana Jones of rock 'n' roll" and the "archaeologist of Northwest rock" for his work in locating important musical artifacts related to major rock artists and performances. The museum opened in June 2000 as the Experience Music Project (EMP), now the Museum of Pop Culture (MoPOP), with Blecha as a Senior Curator with three major inaugural exhibits: the "Jimi Hendrix Exhibit"; the "Northwest Passage Gallery" (about the history of Northwest music); and "Quest for Volume: A History of the Electric Guitar".

In the following years, Blecha served in volunteer positions with the Stone Age Institute Advisory Board, the Association for Recorded Sound Collections Excellence in Publication Committee, the Northwest African American Museum Advisory Committee, and the Joint Artists and Music Promotions Action Committee (JAMPAC). He was also named as an Ambassador for the Seattle Center Foundation's Next 50 history committee.

In 2001, Blecha began working for Walt Crowley's HistoryLink, an online encyclopedia of Washington State history. As of 2023, he continues to serve there as a Staff Historian and Contributing Editor, writing hundreds of essays about regional topics. He has published ten books and written feature essays for ''The Seattle Times'', ''Seattle Business'', ''Seattle Weekly'', '' Seattle Metropolitan'', ''Seattle'' magazine, ''Life'' magazine, '' No Depression'', ''DISCoveries'', and others.

Blecha researched historic brands of guitars manufactured in the Pacific Northwest from the 1930s through the 1950s including Audiovox, Bud-Electro, Hanburt, and Coppock, with many documented in essays in Vintage Guitar magazine. He also researched pioneering Northwest-based record companies from the 1940s (Linden, Morrison), 1950s ( Dolton), and 1960s ( Jerden, Etiquette, Camelot). In 2013, he launched the Northwest Music Archives website to document all known Pacific Northwest-based record labels and musical artists.

Books

Author

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Co-author

*Winner of the American Association of Port Authorities’ Award of Merit and the National Association of Government Communicators’ Second Place Award.
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Other works

Articles and essays

Selected works from books, magazines and websites:

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Documentaries

*Interview: ''Jimi Hendrix: By Those Who Knew Him Best'' (Chrome Dreams Productions, 2004)
*Interview: ''The Banned History of Rock & Roll'' (BBC Radio Scotland, 2006)
*Co-producer, writer: ''Music on East Madison Street: The Sound of Seattle'' (Ray-Blecha Productions, 2015)
*Interview: ''Bezango, WA'' (Austin Amandes Productions, 2015)

Liner notes

Selected liner notes and booklets from major LP and CD releases:
* The Daily Flash: ''I Flash Daily'' (Psycho Records, 1985)
*Various: ''Nuggets Volume 8: The Northwest'' (Rhino Records, 1988)
*The Kingsmen: ''The Best of The Kingsmen'' (Rhino Records, 1989)
*The Sonics: ''Here Are The Ultimate Sonics'' (Etiquette Records, 1990)
*The Sonics: ''Maintaining My Cool'' ( Jerden Records, 1991)
*The Sonics: ''Psycho-Sonics'' ( Big Beat Records, 1993)
*Various: ''The History of Northwest Rock Vol. 1: The Original Northwest Sound, 1950s-1960s'' (Jerden Records, 1994)
*The Squirrels: ''Scrapin’ For Hits'' (Pop Lust Audio, 1996)
*Various: ''The History of Northwest Rock Vol. 2: The Garage Years'' (Jerden Records, 1999)
*Various: ''The History of Northwest Rock Vol. 3: Psychedelic Seattle'' (Jerden Records, 2000)
*Various: ''Battle of the Bands: Vol. 1, 1960s'' (Big Beat Records, 2001)
* Dave Lewis: ''The Godfather of Northwest Rock'' (Jerden Records, 2006)
*The Sonics: ''Busybody!!!: Live in Tacoma 1964'' (Norton Records

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